395 pistes audio libres de droits pour "Célébration Du Nouvel An"

*Just augmented fifth on C = G♯. 25:16 = 772.63 cents. Limit: 5-limit. MIDI pitch bend: 31,55

16-tet scale on C (75 cent steps). Easley Blackwood, Jr.'s notation for 16 equal temperament. Intervals are notated similarly to those they approximate and there are fewer enharmonic equivalents. MIDI pitch bend appears to match intervals (0,56, etc.).

21-tet scale on C (57.14 cent steps). Easley Blackwood, Jr.'s notation for 21 equal temperament. Intervals are notated similarly to those they approximate and there are distinct enharmonic equivalents (E-sharp-down = F-down). MIDI pitch bend matches intervals.

*Acute minor seventh on C = B♭+. Just: 729/400 = 1039.10 cents. Limit: 5-limit. MIDI pitch bend: 66,76

*Acute minor third on C = Eb+. Equal-tempered: 2243/200:1 = 337.15 cents. Limit: 5-limit. MIDI pitch bend: 114,75

A12 4 7 10 on C. Traditional notation: C B♭ E. MIDI pitch bend matches intervals. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include twelve steps in the tritave, named A12 by Enrique Moreno [1] and based on the 4:7:10 chord.

*Just augmented third on C = E♯. 125:96 = 456.99 cents. Limit: 5-limit.

*Acute minor sixth on C = A♭+. Just: 81/50 = 835.19 cents. Limit: 5-limit. MIDI pitch bend: 33,75

Latina: O sanctissima, o piissima, dulcis Virgo Maria O du fröhliche

Ich glaub an Gott in aller Not, Gotteslob (2013) Freiburg/Rottenburg-Stuttgart 855

Ein Lämmlein geht und trägt die Schuld (An Wasserflüssen Babylon), Evang. Gesangbuch 83

Ode to Joy. Hymne à joie de Beethoven. Euskara: Alaitasunaren oda. Slovenščina: Beethovnova Oda radosti.

Diatonic scale on C in 15 equal temperament. C, D, E↓, F, G, A↓, B↓, C. If C=0: 0, 3, 5, 7, 9, 11, 14, 0. MIDI pitch bend matches intervals.

*Just augmented second (75th harmonic) on C = D♯ (Ben Johnston's notation). 75:64 = 274.58 cents. Limit: 5-limit. MIDI pitch bend: 111,55

Pictures at an Exhibition - Promenade (allegro giusto...)

Amicus No.: 31386781 Performer Heading: Price, Percival, 1901-1985 Performer: Percival Price, carillonneur Title: O Canada ; God save the King [sound recording] / [Calixa Lavallée] Composer Heading: Lavallée, Calixa Generic Label: Victor Transcribed Label: Victor Numbers: Issue no.: 216504 Take no.: 1 Side no.: A Notes: Distributor: Victor Talking Machine Co., Montreal Manufacturer: Victor Talking Machine Co., Québec (Province) Recorded: 1 Jul 1927, Ottawa, ON, Victor Talking Machine Released: [Sep 1927] Issue Type: primary label Comments: Additional information/information additionnelle: Actual moments during playing of Carillon Bells, Victory Tower, Ottawa, July 1, 1927 ; Music for "God save the King" is probably traditional. Discographical reference: disc; Numerical List of "His Master's Voice" - Victor recordings 1929, release date Physical Description: 1 sound disc : 78 rpm, monaural ; 10 inch Genre: Anthems ; Patriotic songs; National anthems; Chansons patriotiques; Hymnes nationaux, Canada Location: 0016 2083 2086 Web location: http://amicus.collectionscanada.ca/gramophone-bin/Main/ItemDisplay?l=0&l_ef_l=-1&v=1&lvl=1&coll=24&itm=31386781

*Perfect octave on C = C'. Just: 2:1 = 1200 cents. Equal-tempered: 212/12:1 = 1200 cents. Limit: 3-limit. MIDI pitch bend: none MIDI.

15-tet scale on C (80 cent steps). MIDI pitch bend matches intervals.

17-tet scale on C (70.59 cent steps). MIDI pitch bend matches intervals.

Label: L'Anthologie Sonore Cat. no.: FA 805 A Order number: JF 1 / M3-102726 Matrix/StamperID: JF 1-1 / M3-102726 1st release date: 1942? 1st recording date: 20-24 September 1941 Place of recording: Paris (France) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Lyricist(s): Friedrich Wilhelm Weiskern (1711-1768), Johann Heinrich Friedrich Müller (1738-1815) and Johann Andreas Schachtner (1731-1795) based on "Les Amours de Bastien et Bastienne" by Justine Favart (1727-1772) and Harny de Guerville (17?-17?) Conductor: Gustave Cloez (1890-1970) Performer(s): Bastien: Paul Derenne, Tenor (1907-1988), Bastienne: Martha Angelici, Soprano (1907-1973) and Pauline Aubert, Harpsichord (1884-1979) with the Orchestre du Conservatoire de Paris Vocal range: Tenor and soprano solo with orchestra and harpsichord accompaniment Title/Work: Bastien et Bastienne (opera) Content: 10. 9. Air de Bastien: Oui, da! je ris de tes outrages; Air de Bastienne: Il n'est besoin que d'un sourire Genre(s): Opera terminology Comments: -

Label: L'Anthologie Sonore Cat. no.: FA 805 B Order number: JF 7 / M3-102732 Matrix/StamperID: JF 7-1 / M3-102732 1st release date: 1942? 1st recording date: 20-24 September 1941 Place of recording: Paris (France) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Lyricist(s): Friedrich Wilhelm Weiskern (1711-1768), Johann Heinrich Friedrich Müller (1738-1815) and Johann Andreas Schachtner (1731-1795) based on "Les Amours de Bastien et Bastienne" by Justine Favart (1727-1772) and Harny de Guerville (17?-17?) Conductor: Gustave Cloez (1890-1970) Performer(s): Bastien: Paul Derenne, Tenor (1907-1988), Bastienne: Martha Angelici, Soprano (1907-1973) and Pauline Aubert, Harpsichord (1884-1979) with the Orchestre du Conservatoire de Paris Vocal range: Tenor and soprano solo with orchestra and harpsichord accompaniment Title/Work: Bastien et Bastienne (opera) Content: 10. Récit de Bastien: He quoi? tu ris de ma prière; Duo de Bastien et Bastienne: Va, berger perfide Genre(s): Opera terminology Comments:

*Just augmented sixth on C = A♯. 125:72 = 955.03 cents. Limit: 5-limit. MIDI pitch bend: 78,49

*Just augmented seventh (125th harmonic) on C = B♯+++. 125:64 = 1158.94 cents. Limit: 5-limit. MIDI pitch bend: 110,50

Wir glauben an den einen Gott; Gotteslob (1975) 467; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 791

Wir danken dir, Herr Jesu Christ, dass du für uns gestorben bist (Evang. Gesangbuch 79; Gotteslob (1975) 178; Gotteslob (2013) 297)

Sveriges Radios folkmusikinspelningar. Finlandsresan 1958 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:43:3

Ich bete an die Macht der Liebe, Text Gerhard Terstegen, Melodie Dmitri Bortnjanski (Evang. Gesangbuch Rheinland/ Westfalen/ Lippe 661)

An der schonen, blauen Donau (The Beautiful Blue Danube) , Op. 314.

An der schönen, blauen Donau (The Beautiful Blue Danube) , Op. 314.

An der schönen, blauen Donau (The Beautiful Blue Danube) , Op. 314 (arr. for wind ensemble)

*19th harmonic on C = E19♭. Just: 19:16 = 297.51 cents. Limit: 19-limit. MIDI pitch bend: 26,63

*Minor sixth on C = A♭ (G↑ Easley Blackwood's notation). Equal-tempered: 28/12=10/15=6/9=48/72:1 = 800 cents. MIDI pitch bend: 0,64 MIDI.

Nimm an, o Herr, die Gaben, Gotteslob (1975) Hildesheim 800; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 711

pictures at an exhibition - ix. la cabane sur des pattes de poule - allegro con brio, feroce - andante mosso - allegro molto

The Anthem of Europe, based on the final movement ("Ode to Joy") of Beethoven's 9th Symphony composed in 1823. Performed by the United States Navy Band. This is the long version of the instrumental with introduction.

The Anthem of Europe, based on the final movement ("Ode to Joy") of Beethoven's 9th Symphony composed in 1823. Performed by the United States Navy Band. This is the long version of the instrumental with introduction.

Interpret: Jenö Fescay Salon-Orchester Komponist: Johann Strauss (Sohn) Titel: An der schönen blauen Donau Erstveröffentlichung: um 1927

Ich steh an deiner Krippen hier, melody, basso & harmonization: Johann Sebastian Bach (BWV 469); replenishment of basso, transposition to A minor & sound file: Rabanus Flavus (Peter Gerloff)

Panama national anthem, instrumental version, adopted as national anthem in 1906

The Anthem of Europe, based on the final movement ("Ode to Joy") of Beethoven's 9th Symphony composed in 1823. Performed by the United States Navy Band. This is the short version without introduction.

We were filming an interview when the bells started ringing. The sound is from the guest's lavalier mic. I told him not to make a sound so i could «record» the bells. We can hear the wind a little bit and the sound of his head moving here and there. Recorded at the basilique notre-dame-du-cap, trois-rivières, canada. Do whatever you want with it!.

Some smallish fireworks at semi-close perspective, not much cheering. Akg c522, dmp3, m-audio 1010, ardour.

Some smallish fireworks at semi-close perspective, not much cheering. Akg c522, dmp3, m-audio 1010, ardour.

Some smallish fireworks at semi-close perspective, not much cheering. Akg c522, dmp3, m-audio 1010, ardour.

Recording at 11:45pm on new years eve in the city of london. Calm before the storm. Recorded using roland r26 - 48khz 24bit.

A-for-apple a is the raw voice of a boy child.

Midnight recording from the streets of neukölln, berlin, on new years day 2009. In germany, this is the one day of the year when members of the general public are allowed to set off fireworks. Echoes of bombs and fusillades ring out across the city, while clouds of smoke tumble menacingly through the streets. Close by, a peaceful child sets off sparklers, and is astonished by the display. In the morning, the streets are littered with their remnants -- charred bits of paper, streaks of red ash. Recorded with an edirol r-09. From a contemporaneous news report:. "clashes in three german cities marred new year celebrations, with police facing their toughest challenge from a crowd of mostly young revellers in the capital berlin in the small hours of yesterday. One small breakaway group from that crowd, which numbered 1,000 at the peak, tried to fire a skyrocket inside a police station and invade it, police spokesman frank millert said. The rocket lodged in a broken window and burned itself out, but several police were injured by the flying glass. Police arrested three on arson charges. Earlier, elements from the same crowd in the prenzlauer berg district had smashed the windows of a passing tram and bombarded a police patrol car with firecrackers. The trouble abated about 3am. ".

Me playing an old children's rhyme on my old, of-tune piano. . .

A diesel engine starting.

Recording of the 2022 new year's eve fireworks in brisbane, 8:30pm show. This version has less crowd cheers, but a higher noise floor. Recorded from the adelaide st meriton building in brisbane with a bp4025 microphone and zoom f6.